- #Plagiarism checker duplichecker how to
- #Plagiarism checker duplichecker movie
- #Plagiarism checker duplichecker series
But at the same time it doesn’t have a sound, so you gotta figure out how to create a sound in it.”Īfter a lot of trial and error, he can now use Live in isolation to get the feel and sound of the MPC by running multiple plug-ins at once – a technique that defies conventional wisdom. “Ableton is awesome because it does not impart any sound whatsoever, it gets out of the way and lets you create. Coming from vintage gear that’s known for imparting a certain warmth on samples, giving Live compositions a similar feel took some time. Once I learned it that way everything made sense.”Īnother crucial adjustment was getting the Live mixes to evoke his signature sound. “I decided I would learn the program first by itself, just using my keyboard. “I didn’t understand the program, so trying to learn Push and Live at the same time was really awkward coming from MPC,” he says. Looking back on his early experiences with Ableton, STLNDRMS believes he overwhelmed himself by trying to learn all aspects of Live and Push instead of easing himself into new and unfamiliar territory. “The flip side of that issue is all the mixing tricks and opportunities I can do for looping and stretching, and a hundred million other things that are available to me,” he says.
Using Maschine to compose about half the songs on the album, it was around this time that he decided to make Live part of his process.Īfter initially quitting on the DAW due to a sample importing and chopping method he was unfamiliar with, Live opened many new musical doors once he gave it a second chance. He maintained a fierce loyalty to the MPC/303/404 setup for some time, but a broken MPC forced a change of pace during the making of 2018’s Veggie tacos III. Chopping up samples in the MPC, STLNDRMS records into an eight channel mixing board for EQing and minor effects, with the 404 providing his signature stutters and dropouts and the 303 adding its characteristic vinyl simulation. Many projects like the early fan favorite “ lifestyle” and the 2017 album Veggie tacos heavily utilized the 2000XL, Roland SP-303, and SP-404 – a combo he still uses today, albeit in modified form. “To build a kit it would take me minutes.” “On the MPC, I literally put my hand on top of the record and stop it, take my hand off and grab the little piece that I want and assign it to a pad,” he says. After years of practice, STLNDRMS’ proficiency with the 2000XL is now a form of automatic recall.
#Plagiarism checker duplichecker series
“Also, fire loops,” he adds with a laugh.Īs for the tools he currently uses to slice up samples, fans of his live Facebook video series Beats+Chill will note that his MPC2000XL has been a mainstay for some time. “I’m looking for tone, texture, and clarity – trying to match the aesthetic I’m feeling for the record,” he says. He often lets the emotion of the song he wants to create guide him when searching for sounds to transform. Many of his songs are constructed out of bits and pieces of lesser-known music others overlook, such as rare Japanese 45s and vinyl versions of old anime soundtracks like Lupin III and Cowboy Bebop, along with Tracklib samples, and his staple jazz and soul records. Now back in the US, working out of his Atlanta home studio, the years of nomadic crate-digging shine through STLNDRMS’ trippy, slowed-down soul samples and crunchy drum hits. A few years later STLNDRMS and his family based themselves in Tokyo, where he landed a music licensing deal for the video game MadWorld and the sequel Anarchy Reigns as an MC named Ox.
His first foray into production was nearly two decades ago, when he composed his early instrumentals while living in Italy. STLNDRMS’ music career was cultivated during long stints abroad. In addition to co-founding the producer collective and beat showcase Controllerise, creating the Slappy Drums sample pack, and building an Instagram audience of over 50,000, the veteran beatmaker has also done stints as a military employee, telecommunications expert, MC, and photographer for Future, Jeezy, and Schoolboy Q.
#Plagiarism checker duplichecker movie
Living by the mantra, “life is good, time is precious, make people smile,” Atlanta-based producer STLNDRMS’ biography reads like a Hollywood movie script.